Delfina Foundation announces its new thematic programme, Collecting as Practice. Through residencies, new commissions, and events, the programme poses urgent questions to both artists and collectors around the philosophy, psychology and politics of collecting. While a number of programmes have recently interrogated issues around collecting practices, Delfina Foundation is the first programme to formally host artists and collectors in residence together to explore shared approaches and concerns and the potential for such practices in the broadest sense.
Directed by Aaron Cezar, Collecting as Practice underpins a year of Delfina Foundation’s programme with artists, collectors and institutions, that are conceptually and practically expanding the notion of collecting in terms of aesthetics, ethics, conservation, preservation, education and value.
A public programme, curated by Rose Lejeune, develops the theme through a series of discussions exploring radical modes of collecting, and collections as sites with the potential for active and critical engagement in the development of cultural identity, revisionist histories and new narratives. As such, moving beyond a focus on the accumulation of individual art works, the programme unpacks how artists and collectors alike are redefining the critical discourses of collecting in a global context.
Events and outcomes related to the residencies will be staged at Autograph ABP, Delfina Foundation, and the Victoria & Albert Museum, among others over the next year.
Resident artists and curators
Mark Dion (USA), Özge Ersoy (Turkey), Deyson Gilbert (Brazil), Geumhyung Jeong (South Korea), Joshua Lue Chee Kong (Trinidad and Tobago), Avani Tanya (India), Oriol Vilanova (Spain/Belgium) and Wok the Rock (Indonesia), with more to be announced.
Pedro Barbosa (Brazil), Dorith Galuz (France), Lu Xun (China), Luba Michailova (Ukraine) and Daisuke Miyatsu (Japan), with more to be announced.
Events at Delfina Foundation
24 April, 19:00
Exploring the relationships that are formed between collectors and artists, Pedro Barbosa and Deyson Gilbert discuss their long-term collaboration exploring ephemera - posters, artists’ books and vinyl albums – produced by conceptual artists in the 1960s and 70s that form a substantial part of the Moreas-Barbosa Collection.
20-21 May, 12:00-18:00
Curated by six curators from the Curating Contemporary Art MA Programme at the Royal College of Art, this weekend of events brings together former resident artists of Delfina Foundation as a temporary collection.
5 June, 19:00
The Social Value of Private Initiatives and Museums
In conversation with resident collectors Lu Xun (Sifang Art Museum, China) and Luba Michailova (IZOLYATSIA, Ukraine), this discussion explores how private initiatives can bring trans-national critical thinking and pedagogy to local contexts in meaningful ways.
20 June, 19:00
Who Really Owns It? Thinking Through Ownership of Contemporary Art and Cultural Heritage
Taking its departure point from research conducted by resident curator Özge Ersoy, this discussion highlights key artistic, archaeological and architectural practices that address radical notions of social ownership and communal knowledge of artworks and cultural artefacts.
22 June, 19:00
This evening features current resident artists of Delfina Foundation presenting a range of critical and experimental ideas on the notion collecting. It marks the end of Delfina Foundation’s spring programme of residencies.
Exptend the learnings from the programme to new audiences, Collecting as Practice will host a series of off-site talks in collaboration with international art fairs:
Art Brussels, 22 April, 16:00
Collecting, Intimacy and the Domestic
with Pedro Barbosa, Aaron Cezar, Alain Servais and Dorith Galuz, moderated by Rose Lejeune.
art monte-carlo, 29 April, 15:00
Private Collection / Public Audiences
with Pedro Barbosa, Aaron Cezar, and Luba Michailova, moderated by Rose Lejeune.
More speakers to be announced.