Aaron is the founding Director of Delfina Foundation, where he develops, curates and oversees its interrelated programme of residencies, exhibitions and public platforms.
Over the last ten years, he has positioned Delfina Foundation as a meeting point and incubator of creative talent, forming partnerships with leading institutions internationally. He has devised Delfina Foundation's groundbreaking thematic programmes such as Collecting as Practice, the first ever integrated residency programme for collectors alongside artists. Independently and through Delfina Foundation, he has sat on numerous boards, committees and advisory groups such as All Change Arts, Shubbak, Davidoff Art Initiative, Caspian Arts Foundation, the Young Arab Theatre Fund, the Marrakech Biennale, Art Brussels, Crossroads Art Fair, and Al Serkal Avenue. He has been a jury member for a number of awards, including the Jarman Award (2012), LIVE WORKS Performance Act Award (Vol.4 - 2016), and many others. In 2017, he was awarded an Honorary Fellowship from the Royal College of Arts.
Prior to Delfina Foundation, Aaron worked as Project Director of Metal, the artistic laboratory space established by Jude Kelly OBE, ultimately becoming Managing Director of Metal’s arts-based consultancy overseeing creative projects with a focus on urban regeneration. He has also worked with London 2012, as part of its culture team that secured London's Olympic bid; at The Place, London; and in New York, as a management consultant.
Also working as a creative producer, Aaron has first degrees in Economics and Dance from Princeton University and a postgraduate degree in the Creative Industries from King’s College London.
Head of Operations
Gillean Dickie is the Head of Operations at Delfina Foundation, overseeing building, financial and organisational management as well as contributing to strategic and business planning.
Gillean started her career in the exhibition department of CCA, Glasgow before production and management roles in the performing arts and film, including with Merchant Ivory Productions, Blast Theory and Imlata Dance Company. As Producer with The Arts Catalyst she realised themed exhibitions and ambitious artist’s projects in a wide range of contexts including museums, galleries, abandoned and former military sites and public space.
Gillean has produced many artists' commissions including notable projects by Aleksandra Mir, The Otolith Group, Marko Peljhan, Tomas Saraceno, Ashok Sukumaran, Critical Art Ensemble and Agnes Meyer Brandis.
Gillean studied Painting at Edinburgh College of Art and Arts Management at City University, London.
Hena Lee is the Residency Manager at Delfina Foundation, contributing to the residency programme as well as looking after the residents.
Hena worked at commercial galleries and co-founded an architectural studio prior to starting at Delfina Foundation. Fluent in English, Portuguese and Italian, she is interested in cross-cultural communication, transdisciplinarity, and facilitating artistic exchanges.
Hena studied Architecture and Urbanism at the University of São Paulo and holds an MA in Curating Contemporary Art from the Royal College of Art. She is also a former graduate of the 6th Gwangju Biennale International Curator Course.
Marketing and Communications Coordinator
Helen Gale is the Marketing and Communications Coordinator, working on the communication of Delfina Foundation’s activities across the organisation’s digital platforms and with the media.
Helen joined the Delfina team in August 2017. Prior to this she worked in communications at two other art organisations, INIVA and Ibraaz.
Helen hold a BA in Arabic and Middle Eastern Studies from the University of Exeter and is currently studying for an MA in Cultural Studies at SOAS.
Freelance, Special Projects
Dani Burrows works in a freelance capacity on special projects. She was formerly Director of Strategy at Delfina Foundation and responsible for the creation, communication and execution of new initiatives and income generation activities.
Dani spent time in the commercial art world before moving to Tate, where for five years she had various guises within their fundraising team.
She has also worked on a number of freelance projects for organisations such as Bidoun. Dani studied History of Art at Bristol University and is happiest by the sea.